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This paper examines the post-colonial nation‟s history (India) from perspectives of marginalized minorities in Arundhati Roy‟s The Ministry of Utmost Happiness. The aim of this research is to explore the marginalization of “the Others” and traces the otherized segments of contemporary Indian society that are marginalized on the basis of being a hijra, a Dalit, a woman, a Muslim and an Untouchable. This paper analyzes „binarism‟ and the conflict between the center and periphery: between Hindus and Muslims, between male, female and intersex, between Touchables and Untouchables, as well as between the graveyard and the surrounding wider city. Anjum, an intersex, Revathy, a Maoist comrade, Dayachand, an Untouchable, Tilotamma, a wandering Syrian origin half-Dalit woman, Musa Yeswi, a forced Kashmiri freedom fighter– narrate the untold and unheard tales about failure of a secular democratic country. This paper tours the fault lines of India and highlights the struggle of socially excluded people of society, against the established standards of the culture hence challenging contemporary stereotypical representation of “the Others” and eventually resistance. Roy explicitly advocates religious, racial and territorial degenerative system and reflects the challenges of telling national narrative from a multiple minoritarian perspective. The novel has multi-layered and multi-dimensional plot-structure and investigate the causes behind Roy‟s attempt to give voice to the voiceless (Indians). This research is carried out applying Edward Said‟s theoretical framework of “The Self” and “The Other”, “Us” and “Them”, and “Binary Opposition”.