رقص و سماع در حکمت و اندیشهٴ مولوی
Abstract
The Mawlawiyya Order stands as one of the most distinguished streams of Islamic mysticism, deeply rooted in the philosophical and poetic legacy of Jalal al-Din Rumi. Its international acclaim—particularly throughout Europe—was largely catalyzed by Western travelers who observed the spiritual practices at the Konya hospice in Asia Minor, subsequently coining the phrase "Whirling Dervishes" to designate its adherents.
In Rumi's doctrine, Sama is by no means a performative spectacle; rather, it constitutes an inward transformation and dynamic ecstasy that untethers the seeker from earthly attachments. Attuned to sacred melodies, the mystic perceives the divine call, prompting a transcendent physical turning. Traceable to 3rd-century AH Sufi traditions, this study critically analyzes the conceptual underpinnings of Raqs and Sama, highlighting their ritualistic expressions surrounding Rumi's sanctuary in Konya.
Keywords: Raqs o Sama, Dervishes, Namaz-e-Ishq, Spiritual Ecstasy, Mawlawi Order, Konya.
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